Art Crimes

February 11, 2008

A trio of armed bandits stormed a museum in Zurich on Sunday and escaped with four classic artworks by legendary impressionist painters Cezanne, Degas, Van Gogh and Monet.

Rather than cracking security, dodging infrared laser beams and rappelling the museums walls in the wee hours of the night, the burglars, in true stick-em’-up style, entered the museum around 4:30 in the afternoon, threatened the security guards with a pistol, collected the paintings and fled in a white vehicle that was parked outside.

The stolen paintings are: Boy in a Red Jacket, by Paul Cezanne, Chestnut in Bloom, by Vincent Van Gogh, Count Lepic and his Daughters, by Edgar Degas and my personal favorite, Poppies near Vetheuil, by Claude Monet .

Not only is this the biggest robbery in the history of Switzerland, it comes just days after Picasso’s oil paintings Head of Horse and Glass and Pitcher were stolen from a showing in the town of Pfaeffikon. Whether the two incidents are related is yet to be determined.

It’s interesting when extraordinarily valuable pieces of artwork get stolen, don’t you think? I always wonder where they end up. After all, they’re so recognizable that selling them on the open market would be impossible. In my mind, thievery of this nature conjures up thoughts of secret societies, underground bourgeoisie collectors and elusive billionaires hiding out in remote castles with private galleries hidden down mysterious corridors. What do you think?

Via: BBC

Comments


  • Sasha, On
  • February 12th, 2008 at 11:05 am Said:

The secret art collectors you are referencing reminds me of Sean Connery and Catherine Zeta Jones in the film Entrapment.

  • Mike, On
  • February 12th, 2008 at 3:44 pm Said:

entrapment… what a bad movie.
You make a good point. Its almost as if the romanticization of the crime detracts from its seriousness. If this was a bank heist in Philadelphia where some guys stole a few hundred million, I’d say put those bastards away. But THIS… What class! All I can think of are whispered conversations in dark corners of European bars, Ocean’s 11, and trapped doors. It almost adds to the artworks themselves, making them more storied and therefore more venerable.

misteriotremendum.com

  • k, On
  • February 12th, 2008 at 4:42 pm Said:

i was thinking the same thing… so they steal these, then what do they do with it? its not like someone can display them in their art collection for everyone to see… unless it’s for a mafia king that everyone’s afraid of?

  • deez, On
  • February 13th, 2008 at 4:40 pm Said:

I believe what we’re xperiencing is a backlash of years of snobby, unnafordable high societal pressure. Value is not in money, but in mental value.

Other examples of this:
+record industry
+hollywood (film industry that is…not the city and those that live there)
….coming soon:
+Fashion

  • deez, On
  • February 13th, 2008 at 4:42 pm Said:

oh yeah…these pieces sit in the homes of people who have made alot of money through the enron’s and record industries, and film industriesv (30 million a movie???why?)
These people are made to feel as though they deserve these things and that nothing is out of their reach…well, it’s in their reach now.

  • Jesse, On
  • February 13th, 2008 at 5:05 pm Said:

Art thievery is the bomb. I am considering quitting my day job. Ha.

  • Lee, On
  • February 14th, 2008 at 3:20 am Said:

Going on the style of the robbery maybe this was a group of ‘fight club’esque bandits taking the paintings, in some art historical context that within lies a connection and meaning behind the four pieces. Or as in ‘Hudson Hawk’ the elite insane just want to take over the world.
Either way, once it’s digitalized we’ll still be able to look at it.

  • Graham, On
  • February 14th, 2008 at 10:57 am Said:

that last comment raises an interesting point about us still being able to look at them in digital form. however, a digitized image of a painting is nothing compared to seeing it in real life. these kinds of robberies (ie: from museums) take works of art from the public realm into the private.

while previously many people could enjoy these works in the museum setting, they are presumably now only available for viewing by whatever shady figure snaps them up on the black market.

maybe it’s kind of fun to imagine some high-class world of art thievery, but let’s be serious… these were a bunch of thugs who stormed in with a weapon, crudely threatened the safety of the people inside, ripped the paintings off the wall, and took off in a rush. hardly sounds like some romantic caper to me. sounds like a bunch of douchebag amateurs…

the world will be lucky if these guys didn’t accidently sit on one of the paintings in the car or something…

  • viia, On
  • February 21st, 2008 at 11:50 am Said:

motive?:

-insurance
-possession of favourite work ( not likely )
-gang test ( very likely )
-removal of objets d’esprit from the public ( then replaced by forgeries ) to limit artworks with spiritual value by nwo

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